Announcing the Winner of the 2026 Walden School/PRISM Quartet Student Commissioning Award
PRISM Quartet to premiere new commissioned work by Walden student

Young Musicians Program (YMP) alum Henry Vidaver was selected last year as the winner of The Walden School/PRISM Quartet Student Commissioning Award, a longstanding partnership in which Walden and the PRISM Quartet collaborate to select a student composer, mentor that composer in completing their final score, and PRISM provides a world premiere performance experience.
On June 6 and 7, PRISM will give the first performances of Vidaver’s commissioned piece for saxophone quartet, Via Appia, on a program titled Premieres. The concerts will also feature a new commissioned work by YMP alum Teddy Poll, entitled There/back.
Premieres by PRISM Quartet
Saturday, June 6, in Philadelphia, at 7 pm
Settlement Music School, Germantown Branch
6128 Germantown Ave, Philadelphia, PA 19144
$10, $22.50, or $35 General Admission (pay-what-you-wish)
Free Parking
Sunday, June 7, in New York City, at 4 pm
Christ & St. Stephens Church
120 W 69th St, New York, NY 10023
June 07, 2026
4:00 PM
$10, $22.50, or $35 General Admission (pay-what-you-wish)
There will be casual receptions after the concerts in both Philadelphia and New York for Walden alumni and friends to gather.
Please write to us if you are interested in attending either of these concerts.

Henry Vidaver is the 24th winner of the PRISM Quartet/Walden School Student Commissioning Award, initiated in 2000 and presented annually to a current or recent YMP student. Described as “a bold ensemble that set the standard for contemporary-classical saxophone quartets” (The New York Times), PRISM has commissioned more than 300 works from eminent composers. Walden is proud to collaborate with PRISM Quartet on this opportunity to support young composers in their creative development.
About Henry Vidaver
Henry Vidaver (b. 2007) is a Boston-based composer, pianist, and cellist who has written for ensembles including Friction Quartet, International Contemporary Ensemble, The Walden School Players, and now PRISM Quartet. During the year, Henry is a member of the choir at Trinity Church Boston, plays cello in the chamber orchestra at Belmont High School, and performs as a pianist in the composer chamber music group at the New England Conservatory Preparatory School. Henry spends his summers at Walden’s Young Musicians Program, where he continues making music through composing, singing, and performing. Henry currently studies composition with Rodney Lister.
About Via Appia
We are grateful to PRISM Quartet for sharing the following interview responses from Henry Vidaver about his commissioned work:
Vidaver writes, “Via Appia is loosely inspired by a bike ride along the historic Appian Way during a school trip to Rome last spring. The Appian Way traverses the Roman countryside, featuring abundant ancient ruins and relics of ancient life. Our path took us from the city’s center into almost magical areas where ruins of churches, tombs, and palaces seamlessly integrate into nature and modern development. The motif of staggered entrances by each saxophone represents the pushing of bike pedals, one after the other, until we enter a ‘groove’ when the bike gains momentum.
“A moment of calm on our ride came when we were stopped in a crowded public park, overlooked by a Roman aqueduct. However, as crowds were picnicking and playing soccer, celebrating the coming of Easter, news broke of the death of Pope Francis, creating a kind of strange and surreal moment as joy transformed into shock or even grief for those around us. This informed my inclusion of an excerpt of The Exsultet, a chant traditionally sung at the Easter Vigil, commemorating Christ’s death on the eve of his resurrection.”
Recipients of The Walden School/PRISM Quartet Commissioning Award
2024-25 Henry Vidaver
2023-2024 Aaron Nichols
2020-2021 Helen Feng
2019-2020 Julian Hofstetter
2018-2019 Francesca Hellerman
2017-2018 Max Chung
2016-2017 Reiny Rolock
2015-2016 Jane Lange
2014-2015 Mark Macaluso
2013-2014 Solon Snider
2012-2013 Kaeli Mogg
2011-2012 Samuel Phillips-Corwin
2010-2011 Cara Haxo
2009-2010 Ilana Rainero-de Haan
2008-2009 Andrea Grody
2007-2008 Victoria Cheah
2006-2007 Michael Rosen
2005-2006 Alex Christie
2004-2005 Nathaniel Osborn
2003-2004 Eliza Brown
2002-2003 Peter Krag
2001-2002 Ethan Borshansky
2000-2001 Ali Crockett
eNews: Internetzo – April 2026
Message from Seth Brenzel,
Executive Director
Dear Walden friends,
Spring is here, and the start of Walden’s 2026 summer season is less than two months away!
In the meantime, we have two wonderful Walden fundraising events coming up. This Sunday, April 26, Walden is hosting a celebration and fundraiser in Washington, DC, featuring pianist Pallavi Mahidhara and violist/violinist Aurélien Fort Pederzoli. Next month, we’ll be in in New York City, with a celebration and fundraiser on Sunday, May 17, featuring pianist Blair McMillen. I hope to see many Walden friends at these events! Please write to us if you are interested in attending.
There are just a few spots remaining in our student body for Summer 2026. Applications for Walden’s 2026 summer programs are being accepted and will be reviewed on a rolling basis. Both the Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) will be held on the beautiful Dublin School campus in Dublin, New Hampshire. Read on for more details, and please help us spread the word!
This edition of InterNetzo also includes a recap of last month’s Walden celebration in Los Angeles, featuring the amazing exilio vocal octet, as well as lots of exciting community news. Thank you for staying engaged with Walden, and please let us know if you have any updates for us to share in an upcoming newsletter!
Sincerely,
Seth Brenzel
Executive Director
(415) 587-8157
Upcoming Fundraising Events
A Walden celebration in Washington, DC
Sunday, April 26, 2026
3 to 5 p.m.
DACOR Bacon House
Please join us this Sunday, April 26, for a wonderful Walden afternoon in Washington, DC! Enjoy a performance by the Mahidhara-Fort Duo, which offers audiences the rare experience of hearing both violin-piano and viola-piano works on the same program. At this event, pianist Pallavi Mahidhara and violist/violinist Aurélien Fort Pederzoli (a past visiting artist at Walden) will perform works by Mozart, French baroque composer Marin Marais, and contemporary Icelandic composer Veronique Vaka.
RSVP for Walden's event in Washington, DC!
A Walden celebration in New York City
Sunday, May 17, 2026
3 to 5 p.m.
Salmagundi Club
Our next Walden fundraising event will feature pianist Blair McMillen, who will perform at the beautiful, art-filled Salmagundi Club in Greenwich Village. Hailed by the New York Times as “prodigiously accomplished and exciting” and as one of the piano’s “brilliant stars,” McMillen is a past visiting artist at The Walden School.
RSVP for Walden's event in New York City!
We hope you will join us at one (or both!) of these events, as we gather to celebrate Walden and its mission of inspiring artistic expression and personal growth through experiential music programs. Contributions to The Walden School Annual Fund will underwrite essential student scholarships and inspiring artist residencies at Walden’s programs this coming summer.
RSVP or contact us with questions at donors@waldenschool.org or (415) 587-8157.
Event Recap
A Walden fundraiser and celebration in Los Angeles
We were delighted to see many Walden community members, and to meet several new friends, at our fabulous celebration and fundraiser in Los Angeles on March 14. The event was held in the elegant Victory Ballroom at the Los Angeles Athletic Club in downtown LA. We enjoyed a performance by exilio, a dynamic LA-based vocal octet that champions underrepresented and emerging composers, and that includes two Walden School alums as vocalists and composers: Hannah Rice and Theo Trevisan, both of whom will be on faculty this summer at Walden’s Young Musicians Program. We are grateful to the members of exilio for sharing their talents and creativity with the Walden community.
We are very grateful to our host committee and all of our event donors, who contributed $8,080 to Walden’s Annual Fund as part of this celebration. Thank you!
Thanks also to Alan Chan and Amy Bryan for generously donating raffle gifts.
On behalf of our host committee, thank you to everyone who came out to celebrate music, community, and Walden in Los Angeles! And a big thank you to everyone who made gifts of support to Walden as part of this event.
Thank you to our host committee: JoAnn Balingit, Seth Brenzel, Amy Bryan, Alan Chan, Noah Mlotek, Joshua Rubin, Danielle Schindler Cheung, Stephen Smith, John Tarrh, Theo Trevisan, Jennifer Weidman, and Mindy Williams
A Few Spots Remain for Walden 2026
Applications are being accepted for Summer 2026!
There’s still time to apply to The Walden School’s 2026 summer programs! Applications to both the Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) are currently being accepted and will be reviewed on a rolling basis. Don’t delay!
We encourage you to share the news with your friends, family, colleagues, students, and teachers.
Creative Musicians Retreat
June 13–21, 2026
Dublin School, Dublin, New Hampshire
for musicians ages 18–98
Young Musicians Program
June 27–August 2, 2026
Dublin School, Dublin, New Hampshire
for pre-college musicians, ages 9–18
Application materials for both programs are available on our website.
Write to us at applicants@waldenschool.org with any questions.
Opportunities for Composers
Did you know that Walden hosts a continually updated webpage of competitions, awards,
Here are some featured opportunities with upcoming deadlines:
Score Follower Call for Works 2026
Approximately 30 works will be selected by the Score Follower jury, produced as “score videos,” and uploaded to the Score Follower YouTube channel. Composers of any age, nationality, or background may submit up to three works for instruments and/or electronics. Apply by May 1, 2026.
Azrieli Music Prizes 2028
The Azrieli Music Prizes (AMP) offer opportunities for the discovery, creation, performance, and celebration of excellence in music composition. For the 2028 edition, there are three prizes for chamber music: the Azrieli Commission for Jewish Music; the Azrieli Commission for Canadian Music; and the Azrieli Commission for International Music. Winners are commissioned to create new works, to be delivered in summer 2028. Apply by May 6, 2026.
Susan Bergman Gurrentz ’56 Art Gallery at Chatham University Sound+ Installation Proposals
Chatham University’s Music Program and Arts, Design, & Communication Department are seeking sound and multimedia installation proposals from the SEAMUS (Society for Electro-Acoustic Music in the United States) membership for its new Susan Bergman Gurrentz ’56 Art Gallery to be exhibited during the Fall 2026 semester. Exhibition attendance is not required for featured composers and artists, though those that are able to travel to Chatham’s campus in Pittsburgh will be invited to give a presentation about their work. SEAMUS membership is required to submit. Apply by May 17, 2026.
Franco Carillon Composition Proposal Contest
The Guild of Carillonneurs in North America (GCNA) invites proposals for the biennial Franco Carillon Composition Proposal Contest. The GCNA encourages composers who are relatively new to carillon composition to enter the Proposal Contest in order to receive support throughout the compositional process of a new carillon piece. The goals of this contest are to bring new voices to the carillon repertoire and to increase awareness of the carillon and its vast technical and expressive capabilities. Prize-winning proposals will be awarded $2,000 and will be published and premiered at the next GCNA Congress. Apply by June 16, 2026.
Community News
Peter Jones launches Sondheim podcast
Peter E. Jones, an alum of Walden’s Creative Musicians Retreat (CMR), has created a new podcast titled Loving You: The Untold Sondheim. Jones, who is Stephen Sondheim’s archivist, co-hosts the podcast with British theater artist Martin Milnes. The 12-episode podcast features previously unheard archival material and interviews with friends and collaborators of the legendary Broadway composer and lyricist, including Julie Andrews, Mia Farrow, and Lin-Manuel Miranda. The podcast began airing on March 5, and approximately half of the episodes have been released.

Pianist Marilyn Crispell, an alum of the Junior Conservatory Camp (JCC), released a new album in March on the ECM record label. The album, Memento, is a collaboration with Swedish bassist Anders Jormin and features numerous compositions by Crispell, including Dragonfly, which she wrote in memory of bassist Gary Peacock. Also included on the album are several improvisations by each performer and by the duo.
YMP alum signs with Giant Music, releases debut singles
YMP alum Maya Engenheiro has signed with the Giant Music record label under the artist name Maya Engen. With a sound described by HITS Magazine as “pop, jazz, and a tinge of country,” Maya released her debut single, called “Fool,” last month and recently released a second single, “Jade.” Both singles were also released as music videos. Congratulations, Maya!

On April 16, London-based new music ensemble Apartment House premiered a new work by Lila Meretzky, a Walden faculty member. Her Quartet was performed alongside music by Michaël Lévinas, Tim Parkinson, and composer duo Morison/Opit. Presented at BBC’s Maida Vale Studio 3, the concert was recorded with plans for future broadcast on Radio 3’s New Music Show. Congratulations, Lila!
Walden Board member featured in table tennis profile
David Roberts, a member of Walden’s Board of Directors and the parent of a YMP alum, is also a competitive table tennis player. He plays at Seattle Pacific Table Tennis Club, which was recently featured in the Seattle Times. The article includes an action shot of David volleying a wide forehand. Congratulations, David!

On March 20, 2026, Talea Ensemble premiered a new work by former YMP faculty member Katie Balch, titled still life. The performance featured video projections designed by Ted Moore, an alum of Walden’s Teacher Training Institute (TTI) and longtime Walden faculty and staff member, who is married to Balch. Also on the program were premieres by Artun Çekem and Marti Epstein. Talea Ensemble includes several Walden visiting artists past and present: Laura Cocks (flute), Marianne Gythfeldt (clarinet), Rane Moore (clarinet), and Matthew Gold (percussion).
Yarn/Wire ensemble premieres work by George Lewis with New York Philharmonic
In concerts April 8-10, the piano/percussion quartet Yarn/Wire (a past visiting ensemble at Walden) and the New York Philharmonic premiered a new concerto by George E. Lewis, a past Composer-in-Residence at both of Walden’s summer programs. Conducted by Kwamé Ryan, the program featured Lewis’s new work, titled …ohne festen Wohnsitz…, alongside Charles Ives’ The Unanswered Question and vocal selections by Igor Stravinsky, Carlisle Floyd, and Samuel Barber, sung by soprano Golda Schultz. Lewis’s work was a co-commission by the New York Philharmonic and Philharmonie Luxembourg.
In other Yarn/Wire news, the ensemble is excited to perform at the SPOR Festival in Aarhus, Denmark, April 23-24. They also recently welcomed a new member, percussionist Dustin Donahue. Congratulations to all!
Pictured above: George Lewis with the members of Yarn/Wire, from Yarn/Wire's Instgram page

The Del Sol Quartet, a past visiting ensemble at Walden, premiered a new work by former YMP faculty member Michael Gilbertson on March 22. The concert took place at Boston Conservatory, where Gilbertson is a composition faculty member. The work, titled Prototype, was written for Del Sol and featured Gilbertson playing the ondes Martenot, an electronic instrument invented in the 1920s. On March 29-30, the Dubuque Symphony Orchestra premiered Gilbertson’s Cello Concerto featuring cellist Zuill Bailey. The orchestra commissioned the concerto following a successful commission of Gilberston’s Symphony in the 2024-25 season. Also on the program were Mozart’s Symphony No. 40 and Brahms’ Variations on a Theme by Haydn. Congratulations, Michael!
Eliza Brown and Chris Wild welcome baby
We are delighted to congratulate Eliza Brown and Chris Wild on the birth of their daughter, Dahlia. Eliza is a YMP alum and longtime Walden faculty member. Chris is a longtime cellist in The Walden School Players and also a former Walden faculty member. Eliza and Chris look forward to introducing Dahlia to the Walden community. Congratulations and welcome, Dahlia!
In Memoriam
Nancy Tsuyuki Jerome
We are sad to share the news that Nancy Chiyoko Tsuyuki Jerome, a past YMP faculty member, passed away on November 22, 2025. She was an elementary school music teacher in Anne Arundel County, Maryland, until her retirement in 2013. She was very active at Christ Our Anchor Presbyterian Church in Cape St. Claire, Maryland, where she was involved in choir, bell choir, the Christmas Pageant, and their Music and Art Camp. She also directed their Children’s Choir for many years. Nancy is survived by her husband of 33 years, Jeffrey, her sons, Brandon and Michael, her parents, and her siblings. Our condolences go out to Nancy’s family and loved ones.
We Want To Hear From You!
If you have a recent or upcoming premiere or concert, publication, award, new job, or a celebratory life event, please share your news, which needn’t be music-related (although we love your music-related news to be sure!). Email your news to alumni@waldenschool.org.
Stay in Touch
You can like The Walden School page on Facebook and join The Walden School private group to hear about events and opportunities throughout the year. You can also find us on Instagram, Twitter, YouTube, bandcamp, and at waldenschool.org.
- A dance at Walden's Young Musicians Program
eNews: Internetzo – March 2026
Message from Seth Brenzel,
Executive Director
Dear Walden friends,
I hope the warmth of approaching spring is finding you wherever you are. My heart is warmed by the many ways Walden community members have been coming together to celebrate, make music, and prepare for another incredible summer of creativity in Dublin, New Hampshire.
February brought with it the second Memphis Composers Institute, a collaborative project between The Walden School, the Memphis Symphony Orchestra, and the University of Memphis. Read on for a reflection on this exciting project by D. J. Sparr and Caroline Mallonee.
Throughout December and January, the Walden community came together at holiday parties, both in person and online. Thank you to those who opened their homes for these events, and to all who attended to celebrate the new year together!
Upcoming Walden events include a fundraiser and celebration in Los Angeles this Saturday, March 14, featuring exilio, a vocal ensemble that champions the work of emerging composers, and that boasts two Walden alumni as members. You won’t want to miss their performance! And please save the date for a fundraiser and celebration in Washington, DC on Sunday, April 26.
Applications for Walden’s 2026 summer programs are still open, and our spring application deadline is Monday, March 30. Both the Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) will be held on the beautiful Dublin School campus in Dublin, New Hampshire. Walden is also hiring for several summer positions at YMP—read on for more details, and please help us spread the word!
Thanks for reading, and I hope to see you at a Walden event or program soon!
Sincerely,
Seth Brenzel
Executive Director
(415) 587-8157
Highlights from the 2026 Memphis Composers Institute

Below Right: Walden alumni, faculty, and staff at the Memphis Composers Institute 2026. Left to Right: Dede Ondishko, Sky Macklay, D.J. Sparr, Seth Brenzel, and Caroline Mallonee.
Reflections from D. J. Sparr and Caroline Mallonee
The 2026 Memphis Composers Institute was a success! Now in its second year, the Institute continues to grow as a meaningful winter offering for The Walden School, created in partnership with the Memphis Symphony Orchestra and the Rudi E. Scheidt School of Music at the University of Memphis.
This year’s gathering began with an unexpected challenge: Memphis was still recovering from a major snowstorm, and rehearsal logistics shifted multiple times as icy conditions lingered. In true collaborative fashion, Memphis Symphony Executive Director Peter Abell and D. J. Sparr assessed the situation together and regrouped with Seth Brenzel over barbecue (a Memphis essential!) to finalize the plan. The first rehearsal was ultimately moved to the Cannon Center for the Performing Arts, and the week moved forward smoothly after that—a testament to strong partnership and shared commitment.

Three were selected from more than 150 submissions to the international call for scores: Dede Ondishko’s Singing Strength, incorporating birdsongs she recorded in South Carolina; Fulya Kapucugil’s Leaving the Nest, reflecting on the experience of leaving Turkey to pursue her musical studies in the United States; and Ethan Soledad’s Cages of Jade, which was inspired by poetry from Angel Island.

The program also featured Curtains of Light, a new orchestral work inspired by the Northern Lights by Walden alumna and Creative Musicians Retreat Director, Caroline Mallonee.
Throughout the week, undergraduate and graduate students from the University of Memphis — including students of Professors Kamran Ince and Mahir Cetiz — attended rehearsals and the concert, supported their colleague Fulya Kapucugil, and engaged closely with the music-making process.

For the selected composers, the opportunity to hear their work performed by a professional orchestra was transformative. As Fulya reflected, hearing the piece “as it is meant to be” and experiencing rehearsals from the composer’s seat is unlike any other moment in a young artist’s development. Ethan noted the rarity of working directly with a professional orchestra and the value of sharing new music with new audiences. Dede expressed deep gratitude for the chance to move her symphonic work out of isolation and into the hands of musicians and listeners. Carrie was thrilled to work with the enthusiastic orchestral musicians of the MSO.
The culminating concert on February 4 showcased not only four distinctive artistic voices but also Walden’s enduring commitment to mentorship, collaboration, and the lived experience of hearing new music come to life. It was inspiring to see that spirit extend beyond the summer and take root once again in Memphis.
Upcoming Fundraising Event
A Walden celebration and fundraiser in Los Angeles
Los Angeles Athletic Club
Saturday, March 14, 2026
6 to 8 p.m.
Please join The Walden School Board of Directors, along with Walden and Junior Conservatory Camp (JCC) alumni, faculty, staff, artists, and friends, for an evening of music and refreshments to celebrate Walden and support its 2026 summer music programs.
Guests will enjoy a performance by exilio, a dynamic Los Angeles-based vocal octet that includes two Walden School alums. The group is dedicated to highlighting underrepresented and emerging composers through performances and educational outreach.
This evening of music, community, and refreshments will celebrate Walden’s mission of inspiring artistic expression and personal growth through experiential music programs. Contributions to The Walden School Annual Fund will underwrite essential student scholarships and inspiring artist residencies at Walden’s programs this coming summer.
You are welcome to RSVP or contact us with any questions by emailing donors@waldenschool.org or calling (415) 587-8157.
RSVP for Walden's Los Angeles Event
Washington, DC – Save the Date! 
Please save the date for a Walden celebration and fundraiser in Washington, DC on April 26, 2026. This afternoon of music, community, and refreshment will take place at the beautiful DACOR Bacon House. For more information or to RSVP, please email us or call us at (415) 587-8157.
2026 Walden Holiday Parties
Throughout December and January, Walden community members gathered for holiday/new year parties in cities around the country, and online!
Walden holiday parties were held in New York City, San Francisco, and Silver Spring, Maryland. Alumni of the Junior Conservatory Camp (JCC), Walden's predecessor program, also gathered for a holiday reunion over Zoom.
These events brought together Walden and JCC alumni, parents, faculty, staff, and board members for festive potluck gatherings. Delicious food and drinks were shared, music was played, new friendships and connections were made, and much merriment was had. Many thanks to our wonderful volunteer hosts: Stephen Smith in San Francisco, Peter Colohan and Fenton Blake in Silver Spring, and Matthew Egan and Sookyoung Lee in New York City.
Thank you to all who gathered to celebrate the new year with Walden community!
Apply for Walden 2026
The spring application deadline is Monday, March 30
Applications for The Walden School’s 2026 summer programs are open! The spring deadline to apply to the Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) is Monday, March 30.
We encourage you to share the news with your friends, family, colleagues, students, and teachers.
Creative Musicians Retreat
June 13–21, 2026
Dublin School, Dublin, New Hampshire
for musicians ages 18–98
Young Musicians Program
June 27–August 2, 2026
Dublin School, Dublin, New Hampshire
for pre-college musicians, ages 9–18
Application materials for both programs are available on our website.
Write to us at applicants@waldenschool.org with any questions.
Apply to Walden 2026!
Young Musicians Program (YMP) Information Sessions
Do you know a student who writes songs or arranges music? Or a young improviser who wants to strengthen their musicianship and meet like-minded peers? Or a music teacher who might like to learn about Walden’s unique curriculum?
Join us at one of our online interactive information sessions, featuring presentations and Q&A with Walden’s Executive Director, Seth Brenzel, alongside YMP leadership, faculty, staff, and students.
All YMP Info Sessions are held on Zoom. Learn more and register for one of the info sessions below:
Wednesday, March 19
Wednesday, March 25
These events are open to prospective students, music teachers, and anyone else who would like to learn about Walden’s flagship program for musicians ages 9 to 18.
Walden is Hiring!
Walden is hiring for 2026 summer positions at our Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) in Dublin, New Hampshire. We are seeking new teammates to join our creative community, and we hope that you might help spread the word about these opportunities to your friends and colleagues.
The positions currently open are:
Staff Member and Staff Lifeguard – Young Musicians Program (YMP)
Faculty Member – Young Musicians Program (YMP)
Electronic Music Faculty – Creative Musicians Retreat (CMR)
Choral Director – Creative Musicians Retreat (CMR)
Please contact us with any questions or inquiries. All positions are open until filled.
Opportunities for Composers

Here is one featured opportunity with upcoming deadlines:
Chicago a cappella HerVoice Competition and Mentorship Program
Chicago a cappella and the Santa Fe Desert Chorale seek submissions for HerVoice, a competition and mentorship program for women composers. Up to six winners will be selected to receive mentorship from a committee including composers Stacy Garrop (a Walden alum and former faculty member) and Chen Yi (a past Composer-in-Residence at Walden and a member of Walden’s Advisory Council), a workshop rehearsal, and a premiere performance of their work. In addition, all composers who submit will be invited to participate in a virtual meeting with Stacy Garrop about navigating a career as a female composer. Submissions should be 3-5 minutes in length and scored for up to 10 voices (SSSAATTBBB). Apply by March 15.
Community News
Freya Waley-Cohen celebrates three world premieres
This spring, Young Musicians Program (YMP) alum Freya Waley-Cohen has announced three world premieres of her works. On February 20, her new string received its premiere performance at Wigmore Hall in London. Titled Dances, Hymns and Songs for Friendship, the work was commissioned by Sacconi Quartet to celebrate their 25th anniversary. In a review of the concert, The Guardian described her piece as “a striking new work—and one that fellow ensembles should eagerly consider adding to their repertoire.” In April, the principals of the Academy of St. Martin in the Fields will perform Waley-Cohen’s new wind quintet, titled Small Plinths, on tour in the United States. Among the performances of this work are April 17 at the University of Chicago and April 16 at Harris Hall in Memphis, TN—the same venue where Walden’s Memphis Composers Institute took place in February. On June 20, Waley-Cohen’s Violin Concerto No. 1 will be premiered at the Aldeburgh Festival, played by Tamsin Waley-Cohen, Freya’s sister and a past Walden visiting artist.
Walden alum named in Yamaha's 40 under 40 music educators

Walden artist performs at Berkeley Piano Club
On February 28, the Earheart Trio presented a performance at the Berkeley Piano Club, featuring music by Shostakovich and Haydn and the premiere of a new work by Ben Dorfan. The Earheart Trio is composed of pianist Kumiko Uyeda, cellist Mary Artmann, and violinist Kate Stenberg, a past visiting artist at Walden.
Del Sol Quartet premieres music of Walden faculty member
On February 22, the Del Sol Quartet premiered a new piece by Osnat Netzer, an alum of Walden’s Teacher Training Institute (TTI), past faculty member at YMP, and current faculty member at CMR. The new work for string quartet and live electronics, Galim Levanim, was presented at Constellation Chicago on a program alongside works by Chinary Ung, Meilina Tsui, Theresa Wong, and Vivian Fung. This performance comes at the culmination of the quartet’s Midwest tour, which includes residencies at the University of Iowa and Augustana College.
Alan Chan Jazz Orchestra performs at The Baked Potato
On February 22, TTI alum and former YMP faculty member Alan Chan performed at the historic Baked Potato jazz club in Los Angeles. Alongside vocalists Ben Thomas and LC Powell and oudist Dmitri Mahlis, the 17-piece Alan Chan Jazz Orchestra presented a program celebrating the Year of the Horse. Founded by keyboardist Don Randi in 1970, the Baked Potato is the oldest continuously operating jazz club in Los Angeles.

On February 12, the Sam Pluta Big Band presented music by Sam Pluta, a YMP and CMR faculty member, at the DiMenna Center for Classical Music in New York City. The ensemble is comprised of the Wet Ink Ensemble, a past Walden ensemble-in-residence, alongside a cast of talented guest artists that includes two other past Walden visiting artists, Madison Greenstone and Peter Evans. The hour-long immersive musical experience celebrated the release of Pluta’s new album, Slays Well with Others, on Carrier Records. Congratulations, Sam!
Composer Portraits concert series features works of Lisa Bielawa
On February 26, past CMR composer-in-residence Lisa Bielawa was featured in the Composer Portraits concert series at the Miller Theatre of Columbia University. The program included the world premiere of Balloon Variations, a new work commissioned by the Miller Theatre for the event and performed by the Contemporaneous ensemble. Also on the program were two vocal works performed by the composer.
YMP alum leads musical theatre showcase at Princeton
On February 21, The Lewis Center for the Arts at Princeton University presented How to Be Not Alone, a
concert of original and Broadway songs performed by the Princeton Playhouse Ensembles, led by Solon Snider Sway, a YMP alum and current Walden board member. The concert highlighted musical theater storytelling, performance, composition, arranging, direction, and choreography while featuring the work of current Princeton students and alumni. Audiences heard selections from A Little Night Music, Godspell, Evening Primrose, Kimberly Akimbo, In the Heights, Maybe Happy Ending, Next to Normal, Rent, and Waitress alongside new works by student composers and arrangers.
Loretta Notareschi honored by Regis College
Dr. Loretta Notareschi, an alum of YMP and TTI and a longtime faculty member at both

On March 7, the Los Angeles Philharmonic premiered a new work by CMR and TTI alum Nicolás Lell Benavides in a concert inspired by the Great Wall of Los Angeles mural by Judy Baca. Benavides describes his piece, titled ¡AGUAS!, as “a sometimes beautiful, sometimes dissonant, fast-paced, mambo-inspired work that implores us to keep our wits about us as we navigate a world full of hazards, both big and small.” The work examines the treatment of Mexican Americans in LA during the Zoot Suit riots in the 1940s, and is particularly inspired by the mural panel pictured here. In addition to ¡AGUAS!, the concert featured music celebrating historically significant Angelenos by composers Juhi Bansal, Viet Cuong, Estevan Olmos, Xavier Muzik, and Nina Shekhar, all performed alongside an original film by director Alejandro G. Iñárritu. Congratulations, Nicolás!
We Want To Hear From You!
If you have a recent or upcoming premiere or concert, publication, award, new job, or a celebratory life event, please share your news, which needn’t be music-related (although we love your music-related news to be sure!). Email your news to alumni@waldenschool.org.
Stay in Touch
You can like The Walden School page on Facebook and join The Walden School private group to hear about events and opportunities throughout the year. You can also find us on Instagram, Twitter, YouTube, bandcamp, and at waldenschool.org.

eNews: Internetzo – January 2026
Message from Seth Brenzel,
Executive Director
Dear Walden friends,
I hope you had a joyful holiday season and a happy new year, and that you are staying warm and safe amid the winter weather that is affecting so many. With this edition of InterNetzo, I am pleased to share lots of exciting Walden news, which I hope will bring some brightness to your week.
Applications for Walden’s 2026 programs are open! Our winter-round application deadline is Monday, February 2. Both our Young Musicians Program (YMP) and our Creative Musicians Retreat (CMR) will be held on the beautiful Dublin School campus in Dublin, New Hampshire.
If you know a creative musician, ages 9 to 99, I hope you will pass along information about Walden to them. And if you yourself might want to apply to be part of Walden Summer 2026, we will look forward to receiving your application for what promises to be another summer of creativity, community, music, and mentorship!
Read on for more information about several upcoming Walden events:
- Saturday, January 31: A Walden holiday party in New York City
- February 1–4: The 2026 Memphis Composers Institute
- Saturday, March 14: A Walden celebration and fundraiser in Los Angeles
Below, we share interviews with Walden alums Caroline Mallonee and Dede Ondishko, two of the composers whose works will be featured at the Memphis Composers Institute. Thanks for reading, and I hope to see you at an upcoming Walden event—or next summer in Dublin, New Hampshire!
Sincerely,
Seth Brenzel
Executive Director
(415) 587-8157
2026 Memphis Composers Institute (MCI)
Walden presents new music in Memphis
- Above: an orchestral rehearsal during the 2025 Memphis Composers Institute
The Walden School continues its collaboration with the Memphis Symphony Orchestra and the University of Memphis through the 2026 Memphis Composers Institute, supporting the artistic development of emerging orchestral composers selected through an international call for scores.
The 2026 Institute will take place February 1–4, 2026. It will offer an exciting series of open rehearsals, panel discussions, a reception with musicians, and community engagement events, including a series of workshops, masterclasses, and an orchestral reading session with Memphis Youth Symphony Program students.
At the culminating public concert on Wednesday, February 4, the three selected scores will be premiered alongside a new orchestral work by Walden alum and faculty member Caroline Mallonee.
The three selected composers are:
Dede Ondishko, Singing Strength
Fulya Kapucugil, Leaving the Nest
Ethan Soledad, Cages of Jade
Learn more about the 2026 Memphis Composers Institute here.
Concert Information
Memphis Composers Institute Concert
Wednesday, February 4, 2026 | 7:30 PM
University of Memphis, Harris Hall
BUY TICKETS
$20 General Admission / $5 Youth / Pay What You Can ($5+)
In connection with the 2026 Memphis Composers Institute, we are pleased to highlight two composers whose music will be premiered on the February 4 concert: Caroline Mallonee and Dede Ondishko.
In the Spotlight: Caroline Mallonee 
Caroline (Carrie) Mallonee is well known to the Walden community. An alum of both the Young Musicians Program (YMP) and the Teacher Training Institute (TTI), Carrie has served on faculty and staff for many summers at YMP and at Walden’s Creative Musicians Retreat (CMR), a program that she has directed since it was launched in 2011.
Tell us about the new work that you wrote for the Memphis Composers Institute.
It is an orchestration of a work that I originally wrote in 2017 called Curtains of Light. When I wrote the piece, it was for a mixed ensemble. I always thought I should arrange it for orchestra because there are so many different colors in the piece.
When we went to Memphis last year and had this amazing week at the first Memphis Composers Institute, D. J. Sparr [artistic coordinator of the MCI] floated the idea that maybe in 2026 they could do a piece of mine. I was thrilled, because I had this piece that was looking for a place.
It’s about the Northern Lights. The original piece was commissioned by family friends, Carol and Jim Oleson, who took a trip to see the Northern Lights to celebrate their 50th wedding anniversary. They both sent me written impressions and pictures that they had taken that night. I took their words and their images and turned them into this piece.
Read the Full Interview with Caroline Mallonee
In the Spotlight: Dede Ondishko 
Denise (Dede) Ondishko has been involved with Walden since the 1970s, first as a student, then as a staff, faculty, and board member. Based in Cathedral City, California, Dede is a composer, pianist, violinist, jam leader, and all-around creative force.
Tell us about the new work you’ve written, Singing Strength.
In 2011, when I was living in Hilton Head Island in South Carolina, the birds would wake me up in the morning and the frogs would keep me awake at night. At first, I found them to be annoying, and then, living among them for four years, I found them more interesting and decided to get to know them more. I received a grant of $10,000 from the Coastal Community Foundation of South Carolina, which allowed me to buy recording equipment and go out into the field to record the birds.
Together with my field partner, Beverly Gaddy, I went on outings all around Hilton Head Island and throughout the coastal regions of South Carolina documenting birds, insects, and frogs. One night we were out in a graveyard, where we were told you could hear a certain owl at night. It was freezing cold, and we were sitting in my car waiting with the windows rolled down. We got locked in the nature preserve that night, and we didn’t even hear the owl! It takes a lot of sitting and waiting to capture some of these sounds.
Read the Full Interview with Dede Ondishko
Upcoming Fundraising Event
-
Above: Exilio Ensemble
Join us in Los Angeles on Saturday, March 14!
Please save the date for a Walden celebration and fundraiser in Los Angeles! This reception and concert will feature the Los Angeles-based vocal octet Exilio Ensemble, a group that is dedicated to highlighting underrepresented and emerging composers through performances and educational outreach.
This evening of music, community, and refreshments will celebrate Walden’s mission of inspiring artistic expression and personal growth through experiential music programs. Contributions to The Walden School Annual Fund will underwrite critical student scholarships and inspiring artist residencies at Walden’s programs this coming summer.
You are welcome to RSVP or contact us with any questions by emailing donors@waldenschool.org or calling (415) 587-8157.
Walden Holiday Parties
Walden School and Junior Conservatory Camp (JCC) community members have been gathering for informal potlucks in cities throughout the country this winter season. We had events in San Francisco and in Silver Spring, Maryland, as well as a virtual reunion for alumni of the Junior Conservatory Camp (JCC), Walden’s predecessor program. There is one more potluck event scheduled for tomorrow:
New York City
Saturday, January 31, from 3 to 5 pm
These Walden Holiday Parties are open to Walden and JCC alumni, faculty, staff, Board members, guest artists, and donors, along with their families and friends. These are family-friendly, potluck-style events held at private homes. When you RSVP, please let us know what you would like to bring, and we will send you the address.
RSVP to events@waldenschool.org or by calling (415) 587-8157.
RSVP for the Walden Holiday Party this Saturday!
Above: A Walden holiday party in San Francisco, December 21, 2025
Apply for Walden 2026
The winter application deadline is Monday, February 2.
Applications for The Walden School’s 2026 summer programs are open! The winter-round deadline to apply to the Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) is this Monday, February 2.
We encourage you to share the news with your friends, family, colleagues, students, and teachers.
Creative Musicians Retreat
June 13–21, 2026
Dublin School, Dublin, New Hampshire
for musicians ages 18–98
Young Musicians Program
June 27–August 2, 2026
Dublin School, Dublin, New Hampshire
for pre-college musicians, ages 9–18
Application materials for both programs are available on our website.
Write to us at applicants@waldenschool.org with any questions.
Young Musicians Program (YMP) Information Sessions
Do you know a student who writes songs or arranges music? Or a young improviser who wants to strengthen their musicianship and meet like-minded peers? Or a music teacher who might like to learn about Walden’s unique curriculum?
Join us at one of our online interactive information sessions, featuring presentations and Q&A with Walden’s Executive Director, Seth Brenzel, alongside YMP leadership, faculty, staff, and students.
All YMP Info Sessions are held on Zoom. Learn more and register for one of the info sessions below:
Wednesday, February 25, 2026
Wednesday, March 11
Wednesday, March 25
These events are open to prospective students, music teachers, and anyone else who would like to learn about Walden’s flagship program for musicians ages 9 to 18.
Walden is Hiring!
Walden is hiring for 2026 summer positions at our Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) in Dublin, New Hampshire. We are seeking new teammates to join our creative community, and we hope that you might help spread the word about these opportunities to your friends and colleagues.
The positions currently open are:
Staff Member and Staff Lifeguard – Young Musicians Program (YMP)
Faculty Member – Young Musicians Program (YMP)
Electronic Music Faculty – Creative Musicians Retreat (CMR)
Choral Director – Creative Musicians Retreat (CMR)
Please contact us with any questions or inquiries. All positions are open until filled.
Opportunities for Composers
Did you know that Walden hosts a continually updated webpage of competitions, awards, and calls for scores? Please let us know of additional opportunities that may be of interest to the Walden community.
Here are a few featured opportunities with upcoming deadlines:
Ithaca College Wohlhueter Jazz Ensemble Composition Contest
The Ithaca College Jazz Ensemble announces a call for new pieces for big band with a part for solo trumpet (with the option to add electronics). The IC Jazz Ensemble plans to perform the winning piece in concert with Ingrid Jensen as guest trumpet soloist on April 25, 2026, in Ford Hall at the Whalen Center for Music. The contest prize for the winning composer is $1,500. There is an entry fee of $25. Apply by February 27.
Chinese Instrumental Music Symposium (CIM-S) Call for Scores
CIM-S and Spark Ensemble invite submissions of new pieces for mixed contemporary Chinese instrumental music ensemble: erhu, soprano chromatic sheng, zhongruan, and optional piano or conductor. Selected composers will attend CIM-S in Toronto in August 2026, where they will receive collaborative feedback from Spark Ensemble and a premiere performance. Apply by February 28.
Chicago a cappella HerVoice Competition and Mentorship Program
Chicago a cappella and the Santa Fe Desert Chorale seek submissions for HerVoice, a competition and mentorship program for women composers. Up to six winners will be selected to receive mentorship from a committee including composers Stacy Garrop (a Walden alum and former faculty member) and Chen Yi (a past Composer-in-Residence at Walden and a member of Walden’s Advisory Council), a workshop rehearsal, and a premiere performance of their work. In addition, all composers who submit will be invited to participate in a virtual meeting with Stacy Garrop about navigating a career as a female composer. Submissions should be 3-5 minutes in length and scored for up to 10 voices (SSSAATTBBB). Apply by March 15.
Community News
Ben Richardson heads to Winter Olympics
Creative Musicians Retreat (CMR) alum Ben Richardson is heading to the Winter Olympics in Milan and Cortina, Italy, as part of the USA Curling team. The first USA Curling events will take place on Thursday, February 5. Richardson has been competing in curling since his youth, including winning a silver medal with Team USA at the 2017 world junior curling championships. Richardson is an accomplished cellist and a graduate of the Cleveland Institute of Music. He can be found on social media under the handle @curlingcelloguy. Congratulations and good luck, Ben!

We extend heartfelt congratulations to Young Musicians Program (YMP) alum Reiny Rolock, who was married to Serena Strecker at St. Paul’s Episcopal Church in Brooklyn on January 17. Reiny and Serena have adopted new names: Serena Strecker Rolock and Reiny Strecker Rolock. Fellow YMP alum George Landau-Pincus was part of the wedding party.
Reiny received his Ph.D in music composition last May from Stony Brook University. His dissertation, “A Catalog of Misreadings, Distortions, Palimpsests, and Reconstructions,” treats fragments of medieval music notation as contemporary graphic notation for an electroacoustic quartet. He is currently an adjunct professor of music technology at Long Island University in Brooklyn.
Congratulations, Reiny and Serena!
In Memoriam
We are sad to share the news that Linda Blondel (née Wilder), an alum of the Junior
Linda studied music and dance at Peabody Preparatory in Baltimore, at Bennington College in Vermont, and in New York City with the Merce Cunningham Dance Company. She taught dance in Greece and was a co-founder of the Parisian dance company SITU. Linda performed throughout her life as a modern dancer, for many years as a member of the Miki Liszt Dance Company. A gifted classical pianist and teacher, Linda had a long musical career in Charlottesville, Virginia. She loved chamber music and performed regularly with many local musicians over the years. Linda also maintained a private piano teaching studio and was a longtime member of the Wednesday Music Club. She played piano with the Waynesboro Symphony Orchestra, and at Cove Presbyterian Church for 43 years.
Linda is survived by her husband Pierre, her son Emile (a pianist and past Walden visiting artist), her son Dmitri and daughter-in-law Jennifer Luff, and her granddaughter River. Our condolences go out to Linda’s family, friends, and loved ones.
We Want To Hear From You!
If you have a recent or upcoming premiere or concert, publication, award, new job, or a celebratory life event, please share your news, which needn’t be music-related (although we love your music-related news to be sure!). Email your news to alumni@waldenschool.org.
Stay in Touch
You can like The Walden School page on Facebook and join The Walden School private group to hear about events and opportunities throughout the year. You can also find us on Instagram, Twitter, YouTube, bandcamp, and at waldenschool.org.
- A dance at Walden's Young Musicians Program
In the Spotlight: Dede Ondishko and the 2026 Memphis Composers Institute
In the Spotlight
Dede Ondishko and the 2026 Memphis Composers Institute
Denise (Dede) Ondishko has been involved with Walden since the 1970s, first as a student, then as a member of Walden’s staff, faculty, and Board of Directors. Based in Cathedral City, California, Dede is a composer, pianist, violinist, jam leader, and all-around creative force.
Ondishko is one of three selected composers who will have an orchestral work premiered as part of the 2026 Memphis Composers Institute (MCI), a partnership between The Walden School, the Memphis Symphony Orchestra, and the Rudi E. Scheidt School of Music of the University of Memphis. Composers in the early stages of their orchestral composing careers were invited to submit an orchestral work for a chance to be performed by the Memphis Symphony. The three selected composers will attend an event in Memphis, from February 1 through 4, 2026, including rehearsals, panel discussions, and a performance of their works by the Memphis Symphony Orchestra conducted by Kyle Dickson.
Dede spoke with us about her experience with the MCI, her creative process, and the impact of Walden on her life.
Tell us about the new work you’ve written, Singing Strength.
In 2011, when I was living on Hilton Head Island in South Carolina, the birds would wake me up in the morning and the frogs would keep me awake at night. At first, I found them to be annoying, and then, living among them for four years, I found them more interesting and decided to get to know them more. I received a grant of $10,000 from the Coastal Community Foundation of South Carolina, which allowed me to buy recording equipment and go out into the field to record the birds.
Together with my field partner, Beverly Gaddy, I went on outings all around Hilton Head Island and throughout the coastal regions of South Carolina documenting birds, insects, and frogs. One night we were out in a graveyard, where we were told you could hear a certain owl at night. It was freezing cold, and we were sitting in my car waiting with the windows rolled down. We got locked in the nature preserve that night, and we didn’t even hear the owl! It takes a lot of sitting and waiting to capture some of these sounds.

At home, I took all these digital recordings and slowed them down so I could notate the bird calls. I selected the ones I really liked, then start notating them. I have a background in computer music, so my first idea for this piece involved electronic playback alongside orchestra. But I learned that orchestra musicians don’t really enjoy playing along with a tape track, and I realized it would be more interesting to transcribe the birdsongs and frog sounds and have the orchestra embody them. So, I completely rewrote the piece for orchestra alone.
I went to a composers symposium in St. Paul, Minnesota, organized by the American Composers Orchestra, where I did further work on the piece. The piece never got played—all these years I have been wanting to hear it. I am interested in bridging the animal-human language barrier. I have to believe that will happen someday, and this piece is my contribution toward that.
The title Singing Strength reflects that when you have healthy wildlife, you will have a healthy environment. The strength of these insects and birds speaks to the strength of environment. The title comes from a Robert Frost poem, Our Singing Strength.
What do you hope to take from the experience of participating in the Memphis Composers Institute and having your work performed?
One thing is to get a recording of my piece; that’s your calling card as a composer. This piece is written for birders, and I’d love to share it with the birding community and have it performed again. I did my best to notate the birds I was hearing, but I won’t know how close I came until I have the chance to hear it performed.

The other part is the dialogue with the other composers and with the performers. I’m very excited to hear from the performers whether I had other options that might have made the piece work better. It’s tremendously valuable to hear from the performers. I once wrote a piece for wind ensemble, and after the premiere there was a long line of people congratulating me. And then there was one player from the ensemble, a flutist, who was angry because the third flute part only got to play for five measures. That was a good teaching moment. As a composer, I’m thinking of the overall sound, but you also have to look at the individual parts and make sure that each line has meaning.
How did attending Walden impact your path as a composer, musician, and teacher?
Walden had a deep influence on me, making me different from many other composers who haven’t had that experience. When I’m asked the question, “Who were your influences?” I struggle to answer. Because as a Walden student, starting at 14 years old, I colored with the crayons I had in my hand. I wasn’t influenced by anything other than the sounds I had available to me. We were all excited about what we could do with these tools. We bounced ideas off each other—we basically invented our own language. If you study language, how language evolves, most new language is invented by children. In their formative years, they are exploring words and very easily create new words and combinations, and we were doing the same thing with musical language at Walden.
Aside from my Walden training, I trained as a concert pianist at Peabody Prep, went on to Carnegie Mellon, then to Eastman, where I was a composition major and kept performing as a concert pianist. I’ve kept up my piano skills and still perform today. Now in my retirement years, I’ve also taken up Irish fiddling, participating in Irish music sessions and travelling to Ireland to learn new tunes. I also host shows and jam sessions here in California. We mostly do Americana music, and we feature a lot of songwriters. Whenever we have a songwriter, I open up a dialogue about the music with the audience. The audience gets to discover what was in the songwriter’s head when they put it together. And the songwriter gets feedback—what did the audience hear?
I’m retired from teaching but still have private students. I’ve always taught music as a living language. It’s not frozen; we can still participate and create things. All my students have had the pleasure of inventing something that’s completely their own.
Is there anything else you’d like to share with the Walden community about this experience?
I want to say thank you to all my Walden School friends who have stayed in touch all these years. When I finish a piece and send it to my Walden friends, they are very frank with me, because we have such a good background in listening actively and dissecting music. It’s been such a great privilege to be in this community all these years.
In the Spotlight: Caroline Mallonee and the 2026 Memphis Composers Institute
In the Spotlight
Caroline Mallonee and the 2026 Memphis Composers Institute

Carrie has been deeply involved with the 2026 Memphis Composers Institute (MCI), a partnership between The Walden School, the Memphis Symphony Orchestra, and the Rudi E. Scheidt School of Music of the University of Memphis. Composers in the early stages of their orchestral composing careers were invited to submit an orchestral work for a chance to be performed by the Memphis Symphony. The three selected composers will attend an event in Memphis, from February 1 through 4, 2026, including rehearsals, panel discussions, and a performance of their works by the Memphis Symphony Orchestra conducted by Kyle Dickson, alongside a new work by Mallonee.
As one of the panelists for this year’s MCI, and one of the four composers featured on the February 4 Memphis Symphony Orchestra concert, Carrie gave an interview to speak about her experience with MCI, her upcoming premiere, and her thoughts on the value of mentorship to composers.
Tell us about the new work that you wrote for the Memphis Composers Institute.
It is an orchestration of a work that I originally wrote in 2017 called Curtains of Light. When I wrote the piece, it was for a mixed ensemble. I always thought I should arrange it for orchestra because there are so many different colors in the piece.
When we went to Memphis last year and had this amazing week at the first Memphis Composers Institute, D. J. Sparr [artistic coordinator of the MCI] floated the idea that maybe in 2026 they could do a piece of mine. I was thrilled, because I had this piece that was looking for a place.

I often illustrate scientific concepts in my music. This piece has a movement called “Sol” about the sun, and a movement called “Collisions” for the little particles, and then a movement called “Photons” for when the photons hit and then burst into light. It’s called Curtains of Light because that’s how both Carol and Jim described the Northern Lights, like curtains moving and waving in a breeze.
I have since seen the Northern Lights. When I saw them, I thought, “Oh, this is my piece.”

Dede Ondishko’s piece is about birds. It incorporates all these bird songs from South Carolina. There’s a message about climate change and care for the world in her piece. Fulya Kapucugil’s piece is called Leaving the Nest, so there is also a bird connection. The other piece is called Cages of Jade, by Ethan Soledad, which is a pretty evocative title. Certainly, when I’m thinking of my piece, I’m thinking of colors like green and purple. I feel like the program will hold together thematically really well.
Your piece Lakeside Game was premiered by the New York Philharmonic in November. Congratulations! How was that experience?
It was an incredible experience. The musicians are just amazing. They look at a piece of music, and they play what’s on the page—in the best way. All you need to do is tell them what to play, at what time, at what dynamic, and how to phrase it.
I learned so much as I was doing it. It was great to have that whole experience a month before my Memphis deadline. I could go back to my piece for Memphis and make sure the score really said everything I wanted it to say.
Do you write for orchestra frequently?
No. I mean, nobody does, right? And I think that’s kind of the point. It’s actually really hard to come by an orchestral performance. That’s why the Memphis Composers Institute is important for composers. Walden helps facilitate this opportunity for people to write the piece and hear the piece, and for audiences to hear new music; I’m really glad that Walden is able to do that.

Two of the selected composers are currently in graduate programs for composition. What sort of impact might this opportunity have for composers in such a formative stage of their career?
It’s huge. It’s the chance to hear your piece, feel your piece, and get feedback from the players and from the conductor. At the Memphis Composers Institute, there are five professional composers looking at your score, and you get feedback from them, too. You’re getting a lot of attention!
That’s part of why Walden’s Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) are so amazing, too. People write a piece, they get to hear it, they get feedback, and they get a recording, which they can share and distribute to get future opportunities.
You were a panelist for the 2026 Memphis Composers Institute, so you were one of the people reviewing the scores and deciding who would be selected. What was that experience like?
It’s great. I love seeing what people are writing and what people are saying.
The thing with orchestra is you do have to be practical. You’re asking: Is this compelling? What are they trying to say? Are the instrumentalists going to enjoy playing it? These are the people making the music, and if they’re not invested, it’s not going to be that successful a performance. In a way, you’re writing it for those musicians. That’s what they’re doing for 10 minutes; they’re playing these things in this order. So, you had better make it a good experience for them.
What do you see as the value of mentorship to composers?
I think mentorship is really important.
Knowing what other people think is great, whether or not you agree with them. You love your music, but if somebody critiques it, then it makes you look at it in a different way. You can learn from that.
That’s why Composers Forums at Walden are so great, because you get a lot of feedback. Somebody mentions something, and then you store that for next time. Oh, I did that, and at least one person noticed and thought it was good, and then you take that with you.
How did your mentors impact you as an emerging composer?
I started writing music when I was nine, so I have had a lot of teachers and mentors along the way! My teachers were all very different. They all had different things to critique in my pieces, and different things to compliment. I think I took both of those with me: what works, what doesn’t work.

Is there anything else you’d like to share about the MCI experience?
I’m really, really excited to go to Memphis. It was so fun to make it bigger this year, and last year was such a success. I felt like the pieces were performed so well, and the discussions were interesting.
We formed a community, and I think it proves that we can do Walden-y things outside of the summer. We can go places and do Walden and spread Walden. And I’m all for it. I want to spread Walden all the time, because there’s something really special here.
eNews: Internetzo – December 2025
Message from Seth Brenzel,
Executive Director
Dear Walden friends,
Happy holidays!
I hope your season is filled with warmth, music, community, and joy—all of which will be in abundant supply at our upcoming Walden holiday parties! Walden alumni, families, faculty, staff, board members, and friends will be gathering in five cities across the country for informal potluck celebrations this month and in January. Read on for more information about this cherished annual tradition, to RSVP for a Walden holiday party, or to volunteer to host one in your city.
Applications for Walden's 2026 programs are open! Our early-round application deadline is Monday, December 15. Both our Young Musicians Program (YMP) and our Creative Musicians Retreat (CMR) will be held on the beautiful Dublin School campus in Dublin, New Hampshire. If you know a creative musician, ages 9 to 99, or if you yourself might want to apply to be part of Walden Summer 2026, I hope you will pass along information about Walden and request an application. For those who want to learn more about YMP, we have several information sessions coming up, with dates listed below.
We are so grateful to the many donors who have already given generously to support our 2026 summer programs through contributions to Walden’s 2026 Annual Fund. During our 2026 fiscal year (October 1, 2025, through September 30, 2026), we seek to raise $440,000 in support of critical scholarships, inspiring artist residencies, and all our program expenses. Thanks in particular to the many donors who contributed to our recent Giving Tuesday fundraiser, which raised $3,475 for Walden’s 2026 programs.
If you’ve already made a gift toward Walden’s upcoming 2026 season, thank you! If not, I hope you’ll consider supporting Walden today with a tax-deductible year-end contribution.
Thanks for reading, and I hope to see you at an upcoming Walden event—or next summer in Dublin, New Hampshire!
Sincerely,
Seth Brenzel
Executive Director
(603) 563-8212
Walden Holiday Parties
Walden School and Junior Conservatory Camp (JCC) community members will be gathering for informal potlucks in cities throughout the country this holiday season. You are warmly invited to join us in the following cities:
San Francisco
Sunday, December 21, from 4 to 6 pm
Washington, DC Area (Silver Spring, MD)
Saturday, January 10, from 2 to 4 pm
Boston Area (Cambridge)
Sunday, January 11, from 3 to 5 pm
Seattle Area
Sunday, January 25 (time and location TBA)
New York City
Saturday, January 31, from 3 to 5 pm
Your city here!
Volunteer to host a Walden holiday party.
These Walden Holiday Parties are open to Walden and JCC alumni, faculty, staff, Board members, guest artists, and donors, along with their families and friends.
These are family-friendly, potluck-style events held at private homes. When you RSVP, please let us know what you would like to bring, and we will send you the address.
RSVP to events@waldenschool.org or by calling (415) 587-8157.
It’s not too late to volunteer to host a party in your area! Please email us if you are interested. We are so grateful to this season’s hosts and the many volunteers who have hosted Walden holiday parties over the years.
RSVP for a Walden Holiday Party!
Apply for Walden 2026
The early application deadline is Monday, December 15.
Applications for The Walden School’s 2026 summer programs are open! The early-round deadline to apply to the Young Musicians Program (YMP) and Creative Musicians Retreat (CMR) is this Monday, December 15.
We encourage you to share the news with your friends, family, colleagues, students, and teachers.
Creative Musicians Retreat
June 13–21, 2026
Dublin School, Dublin, New Hampshire
for musicians ages 18–98
Young Musicians Program
June 27–August 2, 2026
Dublin School, Dublin, New Hampshire
for pre-college musicians, ages 9–18
Application materials for both programs are available on our website. Write to us at applicants@waldenschool.org with any questions.
Year End Giving
We’re counting on your support!
Thank you to the many generous donors who have made year-end gifts to Walden, including the 25 donors who contributed $3,475 to Walden as part of our Giving Tuesday fundraiser!
Your contributions will help us offer life-changing musical experiences next summer to 100 students across our two programs, including critical student scholarships and inspiring artist residencies.
It’s not too late to make a contribution in 2025! Make a donation online, or see below for more ways to give. Gifts postmarked on or before December 31, or online gifts made before 11:59 p.m. Eastern Time on December 31, can be counted toward the 2025 tax year.
Give the Gift of Walden
Walden merch is on sale this holiday season.
Bring some summer magic to the holiday season and support The Walden School with your order of stylish and cozy Walden merchandise!
For the Holiday Season, enjoy 30% off of all merchandise orders through January 10.
We have t-shirts, hoodies, blankets, beach towels, canvas totes, water bottles, stickers, and more!
See what’s available and fill out an order form here.
Orders can be paid for by check, money order, credit card, PayPal, or Zelle. Please contact Mindy Williams, Walden’s Administrative Director, or call the Walden office at (415) 587-8157 if you have any questions.
Young Musicians Program (YMP) Information Sessions
Join us to learn more about the music camp that changes lives.
Do you know a student who writes songs or arranges music? Or a young improviser who wants to strengthen their
Join us at one of our online interactive information sessions, featuring presentations and Q&A with Walden’s Executive Director, Seth Brenzel, alongside YMP leadership, faculty, staff, and students.
All YMP Info Sessions are held on Zoom. Learn more and register for one of the info sessions below:
These events are open to prospective students, music teachers, and anyone else who would like to learn about Walden’s flagship program for musicians ages 9 to 18.
2026 Memphis Composers Forum
Announcing three selected composers
On February 4, 2026, the Memphis Symphony Orchestra will premiere works by three extraordinary composers selected for the second annual Memphis Composers Institute. The Walden School is pleased to announce the winners of this year’s call for scores, along with the titles of their compositions:
Dede Ondishko, Singing Strength
Fulya Kapucugil, Leaving the Nest
Ethan Soledad, Cages of Jade
Their music will premiere alongside a new work by Walden alum and faculty member Caroline Mallonee in an inspiring concert celebrating the next generation of orchestral music.
Concert Information
Memphis Composers Institute Concert
Wednesday, February 4, 2026 | 7:30 PM
University of Memphis, Harris Hall
BUY TICKETS
$20 General Admission / $5 Youth / Pay What You Can ($5+)
The Memphis Composers Institute is a collaborative initiative between the Memphis Symphony Orchestra, The Walden School, and the University of Memphis.

Welcoming Chris Martin

Christopher Martin is a conductor, baritone, and composer based in San Francisco. In addition to his role at The Walden School, Chris teaches at the San Francisco Girls Chorus and at Ruth Asawa School of the Arts in the Vocal and Musical Theatre Departments. Chris can be heard singing with a variety of choral ensembles throughout the Bay Area, including Volti, the schola cantorum of the Cathedral of Christ the Light, and Nebula Consort. As a composer, Chris has had recent commissions from Sing Me a Story and Left Coast Chamber Ensemble, and looks forward to an upcoming premiere by Vallejo Choral Society in May 2026. Outside of music, he is proud to volunteer with the Court Appointed Special Advocate (CASA) program, in support of youth in the foster care system.
Community News

Sarah Kirkland Snider, a past Composer-in-Residence at Walden’s Young Musicians Program (YMP) and the parent of a YMP alum, was recently profiled by NPR. The interview covered topics ranging from Snider’s thoughts on the “indie classical” genre to her reaction to critical acclaim for her song cycle Penelope, and maintained particular focus on her new opera, Hildegard, which received its premiere by the LA Opera on November 5. Read the article here. Snider’s fifth full-length album, titled Forward into Light, will be released through Nonesuch and New Amsterdam Records in February 2026.
18c Orchestra and Lucie Horsch premiere new work by Freya Waley-Cohen
The Orchestra of the 18th Century typically gives performances of music of the 18th and early 19th centuries on historical instruments. This month, they presented the world premiere of a newly commissioned work by YMP alum Freya Waley-Cohen. In a week-long, five-concert tour of the Netherlands featuring recorder player Lucie Horsch, Freya’s concertino, The Ladybird, was performed alongside the music of Scarlatti, Corelli, and Handel. Congratulations, Freya!

Walden extends heartfelt congratulations to Esther Landau—our former Director of Development and Alumni Relations and the parent of a Walden alum—on receiving the Hank Rosso Outstanding Fundraising Professional Award from the Association of Fundraising Professionals (AFP) Golden Gate chapter. The award was presented at the AFP’s National Philanthropy Day celebration on November 14 in San Francisco. Esther currently serves as Senior Director of Advancement at The Arc San Francisco, where she works on behalf of people with disabilities and dreams of “a world where all of us are celebrated for who we are, where we all have access to what we need, and where equality is so widespread that fundraising and philanthropy will become unnecessary.” Congratulations, Esther, on this well-deserved honor!
Cyrus Chestnut plays A Charlie Brown Christmas in San Francisco
On December 20, jazz pianist Cyrus Chestnut will perform music from A Charlie Brown Christmas in the Miner Auditorium at SFJazz. Called “the best pianist of his generation” (Time), Chestnut is a YMP alum and has been a visiting artist at Walden. He has also headlined two recent Walden fundraising events in Baltimore and New York City.

The Wet Ink Ensemble, a past visiting at ensemble at Walden that has been described as “dense, wild, yet artfully controlled” (The New York Times), will present its annual Mini-Festival at the DiMenna Center for Classical Music in New York City on December 13. The program will feature works by ensemble members Eric Wubbels and Mariel Roberts Musa, both of whom have been in residence at Walden. Also on the program, Walden alum, former YMP faculty member, and frequent Walden guest artist Aurora Nealand will present a solo performance.
Walden alum plays alongside Zoltán Mága at Carnegie Hall
CMR alum Brent Morden played piano with world-renowned Hungarian violinist Zoltán Mága and his orchestra at Carnegie Hall on November 2. About this experience, Brent says: “It was a privilege to perform on this legendary stage. I am grateful to Mr. Mága and the Liszt Institute for their invitation, and to my friends, family, and colleagues for their support.” Congratulations, Brent!

On November 21, YMP alum Mackenzie Melemed released his debut album, Tulevaisuus. The album, whose title means “future” in Finnish, combines beloved music by Bach, Liszt, and Brahms with new works by Stephen Hough, Laura Kaminsky, and Avner Dorman. Rooted in the past yet alive in the present, Tulevaisuus explores how memory and tradition can shape the music of the future. Congratulations, Mackenzie!
Windborne performs at Mariposa Museum and World Culture Center
On December 4, vocal ensemble Windborne, a former Walden ensemble-in-residence, presented a concert entitled “Music of Midwinter,” through the Mariposa Museum and World Culture Center. Located in Peterborough, New Hampshire, the Mariposa Museum is near Walden’s beloved summer home of Dublin, New Hampshire. Windborne is performing this program 13 times between December 1 and 22, in cities around the American Northeast and the United Kingdom.
Cincinnati Symphony Orchestra and Tessa Lark premiere work of Lisa Bielawa

Walden alumni and faculty members improvise together in Baltimore
On November 26, composer and cellist Robert Karpay, a YMP and CMR alum, presented an evening of improvised music at new music venue The Hargrove in Baltimore. The performance, titled “Robert Karpay Infiltrates Peabody,” featured Karpay performing alongside Sam Pluta, a longtime Walden faculty member, and Sky Macklay, a former Walden faculty member and an alum of CMR and Walden’s Teacher Training Institute (TTI), as well as Kayleigh Sprouse, a singer in the Anchorites Ensemble. Pluta and Macklay are both professors at the Peabody Institute of Johns Hopkins University, with Sam chairing the Computer Music department and Sky chairing the Composition department.

Quince Ensemble, a past Walden ensemble-in-residence, shared the stage with mezzo-soprano Clara Osowski at Columbia University’s Miller Theatre on November 18. The program included music by former YMP faculty member Evan Williams and YMP alum and former faculty member Eliza Brown, alongside pieces by by Woody Guthrie (arr. Liz Pearse), Carrie Henneman Shaw, and Ricardo Zohn-Muldoon. The works by Evan Williams and Eliza Brown can be heard on Quince’s Dust Bowl album.
Annie Gosfield receives award for artistic innovation

We Want To Hear From You!
If you have a recent or upcoming premiere or concert, publication, award, new job, or a celebratory life event, please share your news, which needn’t be music-related (although we love your music-related news to be sure!). Email your news to alumni@waldenschool.org.
Stay in Touch
You can like The Walden School page on Facebook and join The Walden School private group to hear about events and opportunities throughout the year. You can also find us on Instagram, Twitter, YouTube, bandcamp, and at waldenschool.org.

Announcing the Winners of the Memphis Composers Institute Call for Scores 2026
Announcing the Winners of the Memphis Composers Institute Call for Scores 2026
On February 4, 2026 The Memphis Symphony Orchestra will premiere works by three extraordinary composers selected for the 2nd annual Memphis Composers Institute. The Walden School is pleased to announce the winners of this year’s call for scores, whose music will premiere alongside a new work by Walden faculty member Caroline Mallonee in an inspiring concert celebrating the next generation of orchestral music.
Dede Ondishko (Singing Strength)
Fulya Kapucugil (Leaving the Nest)
Ethan Soledad (Cages of Jade)
The selection committee also wishes to acknowledge a composer whose compelling work received honorable mention: Aidan Gold (Do We Have the Same Heartbeat?).
Concert Information
Memphis Composers Institute Concert
Wednesday, February 4, 2026 | 7:30 PM
University of Memphis, Harris Hall
BUY TICKETS
$20 General Admission/$5 Youth/Pay What You Can ($5+)
The Memphis Composers Institute is a collaborative initiative between the Memphis Symphony Orchestra, The Walden School, and the University of Memphis.
eNews: Internetzo – October 2025
Message from Seth Brenzel,
Executive Director
Dear Walden friends,
Happy Halloween!
Fall is here, and our 2025 season officially came to an end on September 30 with the close of Walden’s fiscal year. We are so grateful to the more than 400 individuals, families, foundations, and corporations who collectively contributed more than $428,800 to Walden’s 2025 Annual Fund!
Thanks to your generosity, we met and exceeded our 2025 Annual Fund goal of $410,000. The Annual Fund is Walden’s lifeblood, supporting innovative pedagogy, inspiring artist residencies, and critical scholarships that broaden access to our programs, year after year.
Thank you, donors, for your incredible support!
In this edition of InterNetzo, you’ll find highlights from Halloween in July at Walden, an invitation to a special Walden reception in New York City on November 16, opportunities for composers, and lots more news and updates from around the Walden community.
Thanks for reading, and I hope you have a spooky Halloween!
Sincerely,
Seth Brenzel
Executive Director
(603) 563-8212
Happy Halloween . . . in October!
One of our newer traditions at Walden’s Young Musicians Program (YMP) is Halloween in July—a spooktacular day featuring a DIY haunted house with various creepy, fun, and music-nerdy rooms in which students can go trick-or-treating. These photos show some highlights from Halloween in July at Walden this past summer.
Haunted attractions included: The Room of Sounds Disorganized in Time, the Room of Endless Ads, the Room of Accelerated Time, the Room of Synchronized Luminance, the Eldritch Horrors Jazz Club, and the Sad Clown Bear’s Haunted Forest.
Read more about the origins of this tradition from Kittie Cooper, a YMP faculty member and the originator of Halloween in July. And have a happy Halloween in October!
Upcoming Community Events
Join us on Sunday, November 16, for the New York Philharmonic premiere of a new work by Caroline Mallonee!
Composer Caroline Mallonee is a Walden School alum, faculty member, and the director of Walden’s Creative Musicians Retreat. Her orchestral work Lakeside Game will be premiered by the New York Philharmonic in a series of concerts this November 13 through 16 at David Geffen Hall in Lincoln Center.
The composition was co-commissioned by the New York Philharmonic as part of Project 19, and it will be performed alongside works by Stravinsky and Wynton Marsalis.
A group of Walden alumni, staff, board members, families, and friends will be attending the New York Philharmonic concert on Sunday, November 16, at 2 pm. Walden has organized a group ticket purchase for the performance. If you would like to purchase discounted tickets through Walden, please let us know as soon as possible, as the order is close to being finalized.
After the concert, we’ll gather for an informal reception at a restaurant near Lincoln Center. You do not need to attend the concert to join us for the reception. If you have not yet been in touch, please let us know if you are planning to attend the reception, which will start at approximately 4:30 pm on Sunday, November 16.
RSVP for the November 16 Concert / Reception
Walden Holiday Parties
The holiday season is just around the corner! Walden community members will be gathering for holiday potlucks in cities throughout the country in December and January. Look for an email announcement of dates and cities soon. If you are interested in hosting a party in your area, or if you want to learn more about these upcoming gatherings, please write to us. We are so grateful to the many volunteers who have hosted Walden holiday parties over the years.
Volunteer to Host a Walden Holiday Party
Fundraising Events
A Walden Celebration and Fundraiser in San Francisco

Walden held a fabulous end-of-season celebration and fundraiser on Sunday, September 28, in the dazzling Green Room at San Francisco’s War Memorial. We are so grateful to our host committee and all of our event donors, who contributed $16,910 to Walden!
We enjoyed a dynamic, thoughtfully curated recital by Pedja Mužijević, a renowned pianist and former Walden School faculty member, who shared selections ranging from C.P.E. Bach and Robert Schumann to John Cage and Philip Glass, as well as a composition written this past summer by Sebastien Nothias, a student at Walden’s Young Musicians Program (YMP).
Above left: Charles Cecil, David Conte, and Juli Anna Johnson; right: Stephen Smith with the youngest event attendees
We are grateful to David Conte, a past Composer-in-Residence at Walden, and Corty Fengler, a former Walden Board member, who spoke movingly about Walden’s life-changing creative music programs and expressed gratitude to the many donors who help our organization thrive. Thanks also to Walden Board member Stephen Smith and Cultivar Wine for arranging a generous donation of wine for the event.
Thank you to our host committee: Erika and Andrew Bell, Seth Brenzel and Malcolm Gaines, David Conte, Corty Fengler, Juli Anna Johnson and Charles Cecil, Noah Mlotek, Stephen Smith, Mary Szczepanik and Matt Agard.
Save the Date – Saturday, March 14, 2026, in Los Angeles!
We are thrilled to be coming to Los Angeles for a fundraiser and celebration in the evening on Saturday, March 14, 2026. Please save the date and plan to join us!
Support Walden Today
Staff Transition
We recently bade farewell to Ellie Murphy-Weise, who worked at Walden for one year as our stalwart Development Assistant. While we were sad to see her go, we are grateful for Ellie’s many contributions to Walden and excited for her next steps.
Ellie shared the following update:
I’m a month in to postgraduate studies in opera musicology at King’s College London and very much enjoying being in school within a stone’s throw of both of London’s opera houses! I’m taking the music research methods class and modules in 19th century sound objects and Latin American musical subcultures. I’ve also gotten to see a few productions at English National Opera and Welsh National Opera, and am visiting Oxford for its annual lieder festival this weekend. Sending all my love to the Walden community!
Walden is hiring for a Part-Time Development Assistant to join our dynamic, fun, and collegial San Francisco-based administrative team. The Development Assistant will play a crucial role in supporting and enhancing Walden’s fundraising efforts. This position offers an exciting opportunity to contribute to Walden’s growth and sustainability while gaining valuable experience in the field of nonprofit development.
Please help us spread the word about this exciting opportunity! View the full job description here.
Please direct any questions and inquiries to us at jobs@waldenschool.org.
Opportunities for Composers

Here are featured opportunities with upcoming deadlines:
RED NOTE New Music Festival Composition Competition
The RED NOTE New Music Festival Composition Competition, at Illinois State University, is an annual competition open to all composers, regardless of age or nationality. The composer of the winning piece in each category receives a $1,000 prize and a performance at the RED NOTE New Music Festival. In 2026, composers are invited to submit works for chamber ensemble (any combination of 1-16 vocalists or instrumentalist) or wind ensemble (minimum 8 players). Apply by November 1.
Capella Clausura Emerging Composers Commission Competition
Cappella Clausura seeks applications from emerging composers in the greater Boston area who identify as women, transgender, or gender nonbinary. To apply, submit 2-3 work samples and a proposal for a new 3-6 minute work for a capella chorus (any subset of twelve singers, 3xSATB). Winners will receive a $300 honorarium and a professional-grade performance of their piece. Winners can expect to be involved in the planning and rehearsal process for the performances. Apply by November 9.
BMI Foundation Awards
Emerging composers are invited to apply for BMI Foundation Awards, including the BMI Composers Award (classical composers under 28 years old), BMI Future Jazz Master Award (jazz composers and performers ages 17-24), Chris Trousdale Dream Awards (performers and songwriters in 11th and 12th grade), peermusic Latin Music Award (for songwriters and composers of Latin music ages 17-24), John Lennon Award (songwriters and composers ages 17-24), Dolly Parton Songwriters Award (emerging songwriters ages 17-24), Kavi Ohri Memorial Scholarship (for seniors in high school in one of the five boroughs of New York City planning to attend college majoring in music or music business), and Pete Carpenter Fellowships (aspiring film, television, and video game composers ages 21 and above). Apply by January 15.
Community News
Luna Lab Announces 2025-26 Fellows

In further news from Walden alumni at Luna Lab, Danity Pike, a YMP alum and a 2024-25 Luna Lab Fellow, is the recipient of the 2025 G. Schirmer Prize for Luna Composition Lab for her piece just like the dolls, which was premiered in June by International Contemporary Ensemble.
Luna Lab will also present a virtual master class with violinist, vocalist, and composer Mazz Swift, a past Walden visiting artist, on Monday, November 17.
Leah Reid Receives Barlow Prize
YMP alum Leah Reid is one of ten composers to win a 2025 Barlow Endowment Commission, granted by the Barlow Endowment of Brigham Young University. Leah’s commissioned work is for Grossman Ensemble, ensemble-in-residence of the Chicago Center for Contemporary Composition. Congratulations to Leah!
Past recipients of Barlow Endowment Commissions have included Walden alumni Stacy Garrop and Sky Macklay, Walden faculty members Katherine Balch and Sam Pluta, and past Walden Composers-in-Residence Amy Beth Kirsten, Chen Yi, and James Mobberley, who is also a past Walden Board member.
Elise Grant's Music Performed by Hilary Kole

Composer and Creative Musicians Retreat (CMR) alum Elise Grant, a resident of Dublin, New Hampshire—Walden’s summer home—recently presented a pair of concerts featuring her own compositions. The program included Monadnock, a dramatic setting for voice and piano of a poem by the Rev. William Boum Oliver Peabody about the iconic mountain that overlooks Dublin. The work was first performed at a 2024 CMR Composers Forum by Hilary Kole (pictured at left), a Walden alum and faculty member, and Hilary returned to Dublin to reprise it for this occasion.
Nicolás Benavides releases debut album
Nicolás Lell Benavides, a CMR and Teacher Training Institute (TTI) alum, released his debut album, Canto Caló, on October 10. The album includes two extended works honoring the composer’s New Mexico family heritage, Canto Caló and El Correcaminos. The album’s performers are mezzo-soprano Melinda Martinez Becker (a fellow TTI alum) and Friction Quartet, which was in residence at Walden for the 2024 Faculty Commissioning Project at YMP.
In August, Benavides’ opera Dolores, set during the 1968 grape pickers’ strike in California, was premiered by West Edge Opera in San Francisco. The opera’s titular character is Dolores Huerta, an important labor advocate. Huerta, who is 95 years old, attended the opera’s premiere. The opera is receiving further performances by Opera Southwest in Alburquerque, New Mexico. In celebration, Albuquerque mayor Tim Keller declared October 26 as Nicolás Lell Benavides Day. Congratulations, Nicolás!

Ear Taxi Festival, running from October 3 through November 2, is a month-long festival of contemporary composition, presenting concerts, presentations, professional development events, and more at venues across Chicago and in Evanston, Illinois. Just a few of the Walden visiting artists, alumni, and faculty featured this month at Ear Taxi include Kyle Flens and Mabel Kwan with Ensemble Dal Niente, Kate Soper, Stacy Garrop, Marcos Balter, and Osnat Netzer!

YMP alum and former Walden faculty member Shawn Crouch has won a 2025 American Prize in Composition— Thomas Putsché Award, for his opera Stained Glass. Congratulations to Shawn! Also this month on October 4, Shawn conducted Ensemble Ibis at the University of Miami on a program including music by past YMP faculty member Daniel Felsenfeld and by Marcos Balter, who has been Composer-in-Residence at both of Walden’s programs.

In September’s InterNetzo, we shared the news that violist Zoe Yost, a CMR alum, won the 2025 concerto competition at San Francisco Conservatory of Music (SFCM), where she studies viola and composition. On October 3, she performed Bela Bartók’s Viola Concerto as part of the Concerto Competition Winners Concert with the SFCM Orchestra, conducted by Kedrick Armstrong, Music Director of the Oakland Symphony. Among the attendees were fellow CMR alumni Sina Karachiani and Stephen Woltosz, along with Noah Mlotek, Walden’s Director of Development and Alumni Relations, who reports that Zoe delivered a stunning performance. Congratulations, Zoe!
Zoe Fong celebrates wedding
YMP alum Zoe Fong married her husband, Tanner McNamara, on September 6, at Harding Waterfront Estate near Toronto, Ontario, where the couple lives. At the wedding, Joshua Fath (known to the Walden community as Joshua Clampitt), a fellow YMP alum, arranged and performed music specially chosen by Zoe, including Spiegel im Spiegel by Arvo Pärt for the wedding party processional, The Swan by Camille Saint-Saëns for the bridal processional, and Married Life by Michael Giacchino for the recessional. Zoe was also in attendance at Joshua’s wedding to Caleb Fath in 2023. Zoe writes, “Celebrating each other’s milestones, such as his wedding in 2023 and my recent wedding, after growing up and going through so much together, was very special! We’re grateful to Walden for being such an important part of our lives, both musically and emotionally, and for strengthening our friendship.” Congratulations, Zoe!
Pictured above: Zoe Fong and Joshua Fath (photo courtesy of Zoe Fong)
Walden artists featured on Talea Ensemble programs

On November 21, Talea will perform Born Obbligato by George Lewis, a past Composer-in-Residence at both of Walden’s programs, alongside Pierre Boulez’s Dérive II.
Pictured above: Loretta Notareschi
We Want To Hear From You!
If you have a recent or upcoming premiere or concert, publication, award, new job, or a celebratory life event, please share your news, which needn’t be music-related (although we love your music-related news to be sure!). Email your news to alumni@waldenschool.org.
Stay in Touch
You can like The Walden School page on Facebook and join The Walden School private group to hear about events and opportunities throughout the year. You can also find us on Instagram, Twitter, YouTube, bandcamp, and at waldenschool.org.

Summer Fundraising Event
Summer Fundraising Events
July 28: Walden Giving Day
On the first day of Festival Week at Walden’s Young Musicians Program (YMP), we shared live updates with Walden friends and supporters near and far as part of a one-day online fundraiser. Videos included classes and choral rehearsals, interviews with students and members of The Walden School Players, a rehearsal of a student composition, and our first 2025 Festival Week Composers Forum.
The video updates will remain available on our YouTube channel as well as Instagram and Facebook. Make sure to follow Walden on social media to keep up with all the latest news from Walden. Below, we share a bonus video with previously unreleased footage from Giving Day, chronicling the journey of YMP student Henry’s composition from rehearsal to premiere!
Our Giving Day goal was to raise $5,300 in honor of Walden’s 53rd summer. With your support, we raised $11,650, including $2,000 in matching funds that were unlocked by your generosity. Thank you to the more than 50 individuals and households who supported Walden on Giving Day, and a special thanks to those who made contributions in honor or memory of others.
August 2, A Celebration and Fundraiser in New Hampshire
Thank you to all who joined us for a Walden celebration and fundraiser in Dublin and Harrisville, New Hampshire, on Saturday, August 2!
In Dublin School’s Louise Shonk Kelly Recital Hall, we enjoyed a beautiful performance by flutist Laura Cocks and violinist Erica Dicker, two longstanding members of The Walden School Players. The celebration continued with a beautiful indoor/outdoor reception in nearby Harrisville, New Hampshire, where Ellen and Ed Bernard opened up their barn, and guests enjoyed delicious bites and drinks. Thank you, Ellen and Ed!
Robin Kenney, a former member of Walden’s Board of Directors, spoke about the transformative power of Walden’s creative music education programs. Watch some highlights in the video below:
We are so grateful to our host committee and to all of our event donors for their generosity. With your help, we raised a total of $18,450. Thank you!
Support Walden Today
Thank you to our New Hampshire event host committee: Ellen and Ed Bernard, David Bivins and Kristen Davis, Seth Brenzel and Malcolm Gaines, Leah Kenney Butler and Anthony Butler, Jamie Hamilton, Anne and Thom Haxo, Teresa and Peter Imhoff, Robin and Leslie Kenney, Fred and Jean Leventhal, Anna Lumelsky and Joshua Goodman, Noah Mlotek, Nancy Nickerson and Steve Frietch, and Sarah Kirkland Snider and Steven Mackey
This recap was originally published as part of the September 2025 InterNetzo.





A Walden celebration in Washington, DC
























The spring application deadline is Monday, March 30






































